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Robert Hobbs : ウィキペディア英語版 | Robert Hobbs
Robert Carleton Hobbs is an art historian and curator specializing in twentieth-century art. Since 1991 he has held the Rhoda Thalhimer Endowed Chair of American Art in the highly respected School of Arts, Virginia Commonwealth University.〔http://arts.vcu.edu/arthistory/people/full-time-faculty/〕 Since 2004 he has served as a visiting professor at Yale University.〔http://art.yale.edu/RobertHobbs〕 He has held positions at Cornell University, University of Iowa, Florida State University, and Tehran Museum of Contemporary Art in Iran, and is known for a number of books, in-depth essays, and exhibitions.〔http://roberthobbs.net/biography.shtml〕 ==Early life== Born in 1946, Hobbs is the son of scientist Charles S. Hobbs, who is best known for conducting the primary research on fluorine and teeth as well as investigating, over a thirty-year period, the residual genetic effects of the nuclear fallout on beef cattle found within a 150-mile radius of Los Alamos. His mother, Corinne Clay, was a coloratura soprano with a repertoire in five languages. While living in his family’s scenic retreat where the Tennessee Valley Authority (T.V.A.) had been planned, Robert Hobbs enrolled in the early ‘60s in Maryville High School, which in the post-Sputnik era had a greater percentage of students attending M.I.T. than any other high school in the nation. During this time he was employed summers, running routine experiments in a chemical lab and acting in local college theatrical productions. In 1969 Hobbs received his B.A. at the University of Tennessee (Knoxville), working with Dale Cleaver, who was a student of Joshua Taylor, who in turn had studied with Heinrich Wölfflin. In 1975 he was awarded a Ph.D. degree from the University of North Carolina at Chapel Hill. His dissertation director was philosopher, art historian, and poet Donald Kuspit, who had been a student of the Frankfort School director Theodor Adorno.〔http://www.dictionaryofarthistorians.org/kuspitd.htm〕 Combining philosophic, social history, and formalist views, Hobbs wrote a dissertation on Robert Motherwell’s Elegies to the Spanish Republic while participating in the Whitney Museum of American Art Independent Study Program. The next year, as a lecturer at Yale University, he lived in Motherwell’s guesthouse in Greenwich, Connecticut, and turned sections of his dissertation into essays for the catalogue that accompanied this artist’s first European retrospective.
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